From Total War to Assassin’s Creed: Music from my GDC Talk

From Total War to Assassin's Creed: Music from my GDC Talk (article by Winifred Phillips, video game composer)Last week, it was my honor and pleasure to give a presentation at the Game Developers Conference in San Francisco. My talk was entitled “From Total War to Assassin’s Creed: Music for Mobile Games.” The talk focused on the best and most effective methods for composition and implementation of music in portable gaming.  The talk was structured for the benefit of video game composers and game audio pros, and as a part of the presentation, I played short excerpts of music that I composed for several of my top mobile and handheld video game projects. Now that GDC is over, I thought I’d provide streaming links to some of the complete music tracks that I featured during my presentation, in case attendees were curious about the complete pieces of music. So, without further ado, here are tracks from my GDC 2016 talk!

Assassin’s Creed Liberation

The Assassin’s Creed Liberation game was released by Ubisoft for the PlayStation Vita, and delivered an immersive experience from the popular Assassin’s Creed franchise. The game was designed specifically for a portable system, and as such, all aspects of the design were adjusted to cater specifically to a portable gaming experience, including the music.

Game composer Winifred Phillips speaking about the music of Assassin's Creed Liberation at GDC 2016

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Video Game Music Concert Tours

Colbert presents The Legend of Zelda Concert (article by Winifred Phillips, video game composer)This week I thought we’d check in with some of the top orchestral video game music concert tours currently underway.  We’ll take a look at some reviews of 2015 performances from the respective tours, and we’ll also take a look at video from some of the most recent concert performances.

The Legend of Zelda: Symphony of the Goddesses

Legend of Zelda Symphony of the Goddesses marquee (article by game composer Winifred Phillips)Originating as a simple four-minute overture performed at a Nintendo press event in 2011, Symphony of the Goddesses kicked off as a full-fledged concert tour in January 2012 and currently has 33 dates scheduled for 2016 that will take the popular tour all around the world.  The concert’s program lineup focuses exclusively on famous music from the Legend of Zelda games.  In a review of the September 25th 2015 performance at the Providence Performing Arts Center in Rhode Island, Broadway World critic Andria Tieman wrote, “Overall, this was a night of fantastic music, excellent people-watching and a fun, visual performance. This is something that Zelda fans should certainly seek out.” Here’s a video clip from the Oct. 30th 2015 broadcast of the Late Show with Stephen Colbert, in which the Symphony of the Goddesses tour performed their Legend of Zelda Medley:

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Strategies in Audio & Music for Portable Games

Portable Game Audio and Music (article by award winning video game composer Winifred Phillips)
I’ll be talking about effective music composition for mobile and portable gaming platforms during my talk, “From Total War to Assassin’s Creed: Music for Mobile Games,” which will take place on March 16th at the upcoming Game Developers Conference at the Moscone Center in San Francisco.  With that in mind, I thought I’d use this blog entry to share some resources that explore current strategies and trends in regards to sound and music for mobile – resources that could be useful to the video game composer and sound designer.
Audio and Music for Portable Games (blog written by Winifred Phillips, video game composer)While my talk at GDC will focus specifically on music composition and implementation for handheld devices, the resources that will follow in this blog offer assistance with the more general technical issues that face audio pros creating sound assets for a mobile gaming environment.  I’ve included links to the original articles, as well as a summation of some of the best points that I thought were particularly interesting:

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VR Audio: Past, Present & Future

VR Audio (article by award winning video game music composer Winifred Phillips)In this blog, I thought we might take a quick look at the development of the three dimensional audio technologies that promise to be a vital part of music and sound for a virtual reality video game experience. Starting from its earliest incarnations, we’ll follow 3D audio through the fits and starts that it endured through its tumultuous history.  We’ll trace its development to the current state of affairs, and we’ll even try to imagine what may be coming in the future!  But first, let’s start at the beginning:

3D Audio of the Past

Alan Blumlein (article by award winning video game music composer Winifred Phillips)In the 1930s, English engineer and inventor Alan Blumlein invented a process of audio recording that involved a pair of microphones that were coincident (i.e. placed closely together to capture a sound source).  Blumlein’s intent was to accurately reflect the directional position of the sounds being recorded, thus attaining a result that conveyed spatial relationships in a more faithful way.  In reality, Blumlein had invented what we now call stereo, but the inventor himself referred to his technique as “binaural sound.”  As we know, stereo has been an extremely successful format, but the fully realized concept of “binaural sound” would not come to fruition until much later.

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