Video Game Music Composer: The Interactive Music of SPYDER (Part 2)

Photograph of video game music composer Winifred Phillips in her music production studio. Phillips is the video game composer for the Spyder game, developed by Sumo Digital for Apple Arcade. Her credits include games in five of the biggest franchises in gaming, and she is considered an authority on video game music who has given lectures at such venues as the Game Developers Conference (GDC), the Society of Composers and Lyricists, and the Library of Congress in Washington DC.

By Winifred Phillips | Contact | Follow

Welcome!  I’m video game composer Winifred Phillips, and I’m glad you’ve joined us for this continuation of our discussion of the dynamic music system in the video game Spyder!  As you may recall from our previous discussion, Spyder is a spy thriller set in a retro world that’s vibrant with the famously over-the-top music and aesthetic of the late 1960s to early 1970s.  The game was developed by Sumo Digital for the popular Apple Arcade gaming platform.  The protagonist is an intelligent gadget resembling a tiny robotic spider.  This device, named “Agent 8,” was created by an elite British spy organization.  As the hero of the game, Agent 8 undertakes high-stakes espionage in order to defeat a sprawling evil organization known as S.I.N.!  Sumo Digital recently released a developer diary video about the making of the music of SPYDER, so let’s check that out:

As you could see from the video, the Spyder video game features a dynamic music system designed to convey the iconic 1960s style of a classic spy thriller.  In this two-part article series, we’ve been exploring how that system was created.

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