Video Game Music Concert Tours

Colbert presents The Legend of Zelda Concert (article by Winifred Phillips, video game composer)This week I thought we’d check in with some of the top orchestral video game music concert tours currently underway.  We’ll take a look at some reviews of 2015 performances from the respective tours, and we’ll also take a look at video from some of the most recent concert performances.

The Legend of Zelda: Symphony of the Goddesses

Legend of Zelda Symphony of the Goddesses marquee (article by game composer Winifred Phillips)Originating as a simple four-minute overture performed at a Nintendo press event in 2011, Symphony of the Goddesses kicked off as a full-fledged concert tour in January 2012 and currently has 33 dates scheduled for 2016 that will take the popular tour all around the world.  The concert’s program lineup focuses exclusively on famous music from the Legend of Zelda games.  In a review of the September 25th 2015 performance at the Providence Performing Arts Center in Rhode Island, Broadway World critic Andria Tieman wrote, “Overall, this was a night of fantastic music, excellent people-watching and a fun, visual performance. This is something that Zelda fans should certainly seek out.” Here’s a video clip from the Oct. 30th 2015 broadcast of the Late Show with Stephen Colbert, in which the Symphony of the Goddesses tour performed their Legend of Zelda Medley:

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Cool and Inspiring Ideas for the Game Music Composer

As game composers, we need a little inspiration now and then.  This blog will share some fun thoughts and ideas that have the potential to stir our creative juices, or just help us to think about game music in a different way.  First, we’ll get a perspective on what the classical symphony performance has in common with the act of playing a video game. Then, we’ll learn about a method of turning a video game into a musical instrument for performance art.  And finally, we’ll hear about a sonic toy that lets us trigger game sounds and music as a spontaneous aural performance to accompany roleplay gaming. I hope these ideas will get us thinking about the relationship between game music and live performance. At the very least, some of these ideas may tickle our creative fancy, so let’s get started!

Andrew Norman’s Play (Boston Modern Orchestra Project)

andrew_normanFirst, let’s consider the viewpoint of acclaimed symphonic composer Andrew Norman (pictured left), who is currently nominated for a Grammy in the category of “Best Contemporary Classical Composition” for his symphonic work entitled Play. The nominated recording was performed by the Boston Modern Orchestra Project, as conducted by Gil Rose. As a composer, Andrew Norman is no stranger to accolades, having previously achieved the finalists list for the Pulitzer Prize in music in 2012 for his string trio The Companion Guide to Rome.  What’s most fascinating about his symphony Play, aside from its bold and experimental approach to musical composition, is the philosophy with which it was created. As it turns out, video games played a key role.

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More Game Music for the Holidays

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The holiday season is in full swing, with the New Year right around the corner, so here’s some more game music that’s perfect for the holidays…and one bonus track that I composed for LittleBigPlanet 3 (I’m told it makes most everybody think of Christmas!)

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Game Music for the Holidays – Cover Tunes

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Happy Holidays, everybody!  It’s become a tradition in this blog to share some holiday tunes from some awesome video games, so here’s a selection of holiday cover songs to fuel your festive spirit (and one bonus cover song with a very different take on the holiday spirit).  Enjoy!

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139th Audio Engineering Society Convention Schedule

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The Audio Engineering Society’s annual convention is next week, and the entire schedule is now available, so I can now share the dates and times for my presentations!

Sunday, Nov. 1st, 11:30 am – 12:30 pm (Room 1A22)  Interactive Music of the LittleBigPlanet Franchise: Dissecting a Complex, Multi-Component System.  If you can only come one day, then pick Sunday, because I’ll be presenting an hour-long talk on the music system of six games in the LittleBigPlanet franchise. It should be a fun talk!

Saturday, Oct. 31st, 3:30 pm – 5:00 pm (1A22)  Game Audio Education – New Opportunities for Students.  I’ll be a panelist answering questions and participating in discussion of the role of education in a game audio professional’s career. Fellow panelists include Steve Horowitz, Scott Looney, Leonard J. Paul and Michael Sweet.

Saturday, Oct. 31st, 12:30 pm – 2:00 pm (Room 1A07)  SPARS Speed Counseling with Experts – Mentoring Answers for Your Career.  I’ll be acting as a mentor and answering career related questions to participants in a speed group mentoring format. Game Audio mentors for this event will include myself, Tom Salta, George Valavanis and Gina Zdanowics.

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139th AES Convention for the Game Music Composer

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I’m happy to share that I’ll be a speaker again this year at the Audio Engineering Society’s annual convention!  Last year, the convention took place at the Los Angeles Convention Center – a familiar stomping ground from my many visits to the famous Electronic Entertainment Expo over the years.  However, this year will take me somewhere entirely new: the Jacob Javits Center in New York City!

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I imagine that most futuristic metropolitan buildings look best when the sky is purple.  Since it’s impossible to capture natural purple skies in the wild, I assume that someone helpfully photoshopped a purple firmament for this promo picture.  The convention center looks very impressive, and I’m looking forward to seeing it in person!

Attending last year’s AES in Los Angeles was a wonderful experience, and I was truly honored to have been chosen as a speaker for the event!  At last year’s AES, I gave an overview presentation about interactive music in video games – the talk was an expansion of the interactive music sections of my book, A Composer’s Guide to Game Music.  Here’s a video clip from my speech last year, entitled “Effective Interactive Music Systems: The Nuts and Bolts of Dynamic Musical Content.”  The entire speech is available for download from Mobiltape.com.

At this year’s AES, I’ll be speaking more specifically about my role as a member of the music composition team for the LittleBigPlanet franchise.  It will be fun to share my experiences as part of that wonderful music team at Sony Computer Entertainment Europe, and I’m looking forward to exploring some of the interactive music techniques of the LittleBigPlanet franchise!

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This is a photo from the LittleBigPlanet 3 display in the Sony booth at E3 2014.  My presentation at the Jacob Javits Center will include lots of my music from the LittleBigPlanet franchise, and Sackboy will be making many appearances!

AES-MixBoardI’m also looking forward to seeing what’s new and hot in audio gear on the AES exhibit floor.  Last year’s show floor was crowded with humongous mixing desks like the one above, along with enough glittering gear to make a full-grown audio engineer cry tears of joy.  I’m looking forward to a similar spectacle this year.  In addition to the expo floor, the convention will include a comprehensive program of presentations, panels and workshops, and the popular Live Sound Expo will be returning this year to spread knowledge about audio solutions for live events.

On a more personal note – prior to attending my first AES, I read an article from the ONION (the world’s top news satire publication) which lead me to believe that, as an audio engineer attending such a convention, I would be able to gather with my fellow audio professionals and enjoy an in-depth discussion of our ponytails (warning: adult language).  I can report that this did not happen last year… which was a shame, because I made sure I wore a ponytail for the occasion.  😉

I submit the following photo as proof:

AES-AESDespite this minor disappointment, I had an awesome time at last year’s AES, and I’m very excited about this year’s event!  The convention will take place from Oct. 29th to Nov. 1st at the Jacob Javits Center in New York City.  Hope to see you there!

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Studio1_GreenWinifred Phillips is an award-winning video game music composer whose most recent project is the triple-A first person shooter Homefront: The Revolution. Her credits include five of the most famous and popular franchises in video gaming: Assassin’s Creed, LittleBigPlanet, Total War, God of War, and The Sims. She is the author of the award-winning bestseller A COMPOSER’S GUIDE TO GAME MUSIC, published by the Massachusetts Institute of Technology Press. As a VR game music expert, she writes frequently on the future of music in virtual reality video games. Follow her on Twitter @winphillips.

Game Music for the 4th of July

Happy Independence Day to all my fellow Americans!  This is a day to celebrate all the best, most awesome things we enjoy about being Americans – and that includes our love of video games!  So to celebrate, I’ve gathered together some of the top patriotic songs of the USA as they appeared in popular game soundtracks.  Enjoy!

Guitar Hero 5 –  My Country, Tis of Thee

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Civilization V – America the Beautiful

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Fallout 3 – Yankee Doodle

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Civil War 2: Generals – When Johnny Comes Marching Home

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BioShock Infinite – You’re A Grand Old Flag

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Fallout 3 – Hail Columbia

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Civil War 2: Generals – Battle Hymn of the Republic

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Civilization IV – Marines’ Hymn (The United States Marine Corps)

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Studio1_GreenWinifred Phillips is an award-winning game music composer with more than 11 years of experience in the video game industry.  Her projects include Assassin’s Creed Liberation, God of War, the LittleBigPlanet franchise, and many others.  She is the author of the award-winning bestseller A COMPOSER’S GUIDE TO GAME MUSIC, published by the Massachusetts Institute of Technology Press.  Follow her on Twitter @winphillips.