Arrangement for Vertical Layers Pt. 2: A Game Composer’s Guide

music-sepiaWelcome back to my three-part blog series on the art of arrangement for dynamic music systems in games! In this series of articles, I’m discussing the techniques of arrangement as they pertain to interactive game music by exploring examples from the music I composed for video games from the LittleBigPlanet franchise.  In part one of this series, we went over the role of the arranger, the importance of an interesting and creative arrangement, and the relationship between arranging for traditional linear and non-linear interactive music. We also reviewed arranging techniques that apply to melody, and how these should (or should not) be applied in an interactive composition.  If you haven’t read part one, please click here to read that entry first, and then return here to continue reading part two. Okay, are you back now? Ready? Here we go!

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Arrangement for Vertical Layers Pt. 1: A Game Composer’s Guide

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The art of arrangement.

This week, I’m beginning a three-part blog series on the art of arrangement for dynamic music systems in games. I’ll be exploring the techniques of arrangement as they relate to interactive game music by discussing examples from the music I composed for video games from the blockbuster LittleBigPlanet franchise.

Arrangement for interactivity is a complex subject, so I thought we should begin by developing a basic understanding of what arrangement is, and then move on to the reasons why it’s especially important in interactive music.

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